Please welcome Jonathan French to The Qwillery, as part of the 2018 Debut Author Challenge Interviews. The Grey Bastards was published on June 19th by Crown.
TQ: Welcome to The Qwillery. What is the first fiction piece you remember writing?
Jonathan: Let's see...It was a fantasy story I wrote in 4th grade. I was living in England at the time and my teacher, Ms. Carlsen, was an amazing Dutch woman that read The Hobbit to her class every year as a tradition. I'd already read it, but I loved hearing her read it aloud because she had such love for the story. She encouraged me to read The Lord of the Rings, to draw scenes from the book, and to write my own fiction. I ended up writing this multi-chapter short story that was more akin to Dragonlance and the Golden Axe video game than to Tolkien. But she was still unbelievably supportive to the point that she had me read it aloud to the class, which was simultaneously awkward and exhilarating.
TQ: Are you a plotter, a pantser or a hybrid?
Jonathan: I'm a hybrid who leans heavily to the pantsing side.
TQ: What is the most challenging thing for you about writing?
Jonathan: Consistency. I don't defend my writing time very well. My son is 5 and the stuff he is doing is just so much more fun than staring at a screen and thumping at keys. I also hate trying to describe architecture. And physics.
TQ: What has influenced / influences your writing?
Jonathan: Living abroad as a kid was a major influence. I was this 9-year-old from Tennessee that had recently discovered Dungeons & Dragons and comic books, and the next thing I know I'm living in a place where medieval castles and cathedrals can be visited after school. And it all compounded from there. The interests spread to military history, weapons/warfare, wargaming, art history, all while beginning to absorb book after book: Middle-earth, Prydain, Discworld, Redwall, Conan. Those trends have continued almost uninterrupted as I've gotten older, but have also been supplemented by new pursuits like fatherhood and an interest in wilderness survival.
TQ: Describe The Grey Bastards in 140 characters or less.
Jonathan: #TheGreyBastards is a raucous tale of half-orcs riding huge war pigs. It’s been hailed as one of the filthiest books ever written. It’s now available!
TQ: Tell us something about The Grey Bastards that is not found in the book description.
Jonathan: Halflings in this world live underground, but instead of nice cozy hobbit-holes, they dwell in the ancient tomb of a fallen human god, sending out pilgrims to endlessly search the world for every last relic of the deity's time as a mortal warlord.
TQ: What inspired you to write The Grey Bastards? What appeals to you about writing Epic Fantasy?
Jonathan: My wife was the one that insisted I write the story as a novel. Originally, the story was a half-formed idea for a Dungeons & Dragons game. I had painted a bunch of cool half-orc models that I wanted to use for my next game and I always like to provide my players with an element that firmly connects their characters out of the gate. Sons of Anarchy gave me the notion of a mounted gang, so I figured on having that gang be “half-orcs only.” My wife suggested I use hogs instead of horses, though I was concerned it was a little too obvious. She also said, “Forget the game. Write the fucking book.” That pretty much set the tone for the entire thing!
Far as Epic Fantasy goes, it’s always called to me as a reader and I write what I want to read. The possibilities are endless and, for me, it only gets better when married to elements from our own world history. Robert E. Howard's Hyborian Age as an alternate version of our own past, Tolkien's use of Anglo-Saxon folklore, even the original Old World of Warhammer, I find all of that to be such a wonderful gateway into learning about real world events. I would love for The Grey Bastards to spark some young reader's interest in medieval Spain. So many people find history to be dull, but fantasy can be the sugar that helps the medicine go down.
TQ: What sort of research did you do for The Grey Bastards?
Jonathan: I did a massive amount of reading about Reconquista-era Spain. S.S. Wyatt's translation of Daily Life in Portugal in the Middle Ages by A. H. de Oliveira Marques was invaluable. I also had to do a fair amount of internet research about different species of swine in order to make the riding hogs believable.
TQ: Please tell us about the cover for The Grey Bastards.
Jonathan: The cover was designed by artist and photographer Larry Rostant, along with Little, Brown Book Group creative director Duncan Spilling. It depicts the POV protagonist, Jackal; a young, cunning half-orc rider and member of the Grey Bastards.
TQ: In The Grey Bastards who was the easiest character to write and why? The hardest and why?
Jonathan: Oats was probably the easiest. Mostly because he never gave me any problems. I always knew what he was going to say and how he was going to react. Plus, he’s both overestimated and underestimated at the same time; he’s pretty vulnerable despite his size and strength, and also far from stupid despite initial appearances. My inspiration for him was a mix of Jayne Cobb (from my favorite TV show Firefly) and the late, great MMA fighter Kimbo Slice, so I had a solid foundation to work with when writing him.
The most difficult to write was definitely Starling. I knew having a female character that was seemingly helpless through most of the book would cause trouble for some readers. But I was (and still am) playing a rather long game with her, so I kept the course despite second-guessing it on many, MANY occasions.
TQ: Why have you chosen to include or not chosen to include social issues in The Grey Bastards?
Jonathan: It was never a conscious choice. I didn't have that moment where I thought: "I'm going to address X issue!" However, I don't see how they can be avoided in a believable world. They exist, period. Bigotry, racism, and sexism are certainly a part of real life, and I could not avoid their inclusion in a book about mixed-race characters living in a male-dominated society. As a pantser, the issues came to the page organically, so I was forced to face them down. Or rather, the characters were. I tried to keep my opinions out of it and not preach or come down on any side. The characters are flawed, but they are also products of their experiences and there were opportunities that allowed them to evolve. This shit is complicated and messy in real life, so I hope that's what came to the page.
TQ: Which question about The Grey Bastards do you wish someone would ask? Ask it and answer it!
Jonathan: The question would be: Do you ever dream about The Grey Bastards being adapted into a tabletop wargame? And the answer is: Yes! Everyone raves about A Song of Ice & Fire getting an HBO show, but I think GRR Martin's real victory was getting a miniatures wargame. I daydream all the time about a gorgeous line of models: half-orc hog-riders, centaur marauders, orc raiders, noble and low-born cavaleros, Unyar scouts. I write up army lists for each of the hoofs and mull over a rules set for a game focused on mounted combat.
TQ: Give us one or two of your favorite non-spoilery quotes from The Grey Bastards.
Jonathan: Oh, these are always tricky because my memory is awful! Here goes:
1) Jackal likened religion to madness. He had heard that in the north, in the great cities of Hispartha, there were more temples than well-fed children, that a hundred faceless gods received the wealth of the nobles and the fearful pleas of the peasants. He found that difficult to imagine, but Delia, Ignacio, and others had assured him it was true. Thankfully, such belief was all but unknown in Ul-wundulas. Perhaps the badlands were gods-forsaken, but Jackal preferred to think that the Lots were home to those who had no need of invisible old men, dog-headed demons, and sour-faced crones. Here, faith was better placed in a strong mount, a loaded stockbow, and a few solid companions.
and
2) Roundth was standing in his stirrups, balanced perfectly, and windmilling his exposed cock around in one hand as he passed. The damn thing was as thick as a floppy tankard.
TQ: What's next?
Jonathan: The sequel is next! More Bastards are coming in March 2019. Sex! Violence! Vulgarity! Half-orc! Hogs! For those that wish to return to The Lots, it'll be a fun ride!
TQ: Thank you for joining us at The Qwillery.
Jonathan: Are you kidding? It was my pleasure. Thank you for having me!
Jonathan: Let's see...It was a fantasy story I wrote in 4th grade. I was living in England at the time and my teacher, Ms. Carlsen, was an amazing Dutch woman that read The Hobbit to her class every year as a tradition. I'd already read it, but I loved hearing her read it aloud because she had such love for the story. She encouraged me to read The Lord of the Rings, to draw scenes from the book, and to write my own fiction. I ended up writing this multi-chapter short story that was more akin to Dragonlance and the Golden Axe video game than to Tolkien. But she was still unbelievably supportive to the point that she had me read it aloud to the class, which was simultaneously awkward and exhilarating.
TQ: Are you a plotter, a pantser or a hybrid?
Jonathan: I'm a hybrid who leans heavily to the pantsing side.
TQ: What is the most challenging thing for you about writing?
Jonathan: Consistency. I don't defend my writing time very well. My son is 5 and the stuff he is doing is just so much more fun than staring at a screen and thumping at keys. I also hate trying to describe architecture. And physics.
TQ: What has influenced / influences your writing?
Jonathan: Living abroad as a kid was a major influence. I was this 9-year-old from Tennessee that had recently discovered Dungeons & Dragons and comic books, and the next thing I know I'm living in a place where medieval castles and cathedrals can be visited after school. And it all compounded from there. The interests spread to military history, weapons/warfare, wargaming, art history, all while beginning to absorb book after book: Middle-earth, Prydain, Discworld, Redwall, Conan. Those trends have continued almost uninterrupted as I've gotten older, but have also been supplemented by new pursuits like fatherhood and an interest in wilderness survival.
TQ: Describe The Grey Bastards in 140 characters or less.
Jonathan: #TheGreyBastards is a raucous tale of half-orcs riding huge war pigs. It’s been hailed as one of the filthiest books ever written. It’s now available!
TQ: Tell us something about The Grey Bastards that is not found in the book description.
Jonathan: Halflings in this world live underground, but instead of nice cozy hobbit-holes, they dwell in the ancient tomb of a fallen human god, sending out pilgrims to endlessly search the world for every last relic of the deity's time as a mortal warlord.
TQ: What inspired you to write The Grey Bastards? What appeals to you about writing Epic Fantasy?
Jonathan: My wife was the one that insisted I write the story as a novel. Originally, the story was a half-formed idea for a Dungeons & Dragons game. I had painted a bunch of cool half-orc models that I wanted to use for my next game and I always like to provide my players with an element that firmly connects their characters out of the gate. Sons of Anarchy gave me the notion of a mounted gang, so I figured on having that gang be “half-orcs only.” My wife suggested I use hogs instead of horses, though I was concerned it was a little too obvious. She also said, “Forget the game. Write the fucking book.” That pretty much set the tone for the entire thing!
Far as Epic Fantasy goes, it’s always called to me as a reader and I write what I want to read. The possibilities are endless and, for me, it only gets better when married to elements from our own world history. Robert E. Howard's Hyborian Age as an alternate version of our own past, Tolkien's use of Anglo-Saxon folklore, even the original Old World of Warhammer, I find all of that to be such a wonderful gateway into learning about real world events. I would love for The Grey Bastards to spark some young reader's interest in medieval Spain. So many people find history to be dull, but fantasy can be the sugar that helps the medicine go down.
TQ: What sort of research did you do for The Grey Bastards?
Jonathan: I did a massive amount of reading about Reconquista-era Spain. S.S. Wyatt's translation of Daily Life in Portugal in the Middle Ages by A. H. de Oliveira Marques was invaluable. I also had to do a fair amount of internet research about different species of swine in order to make the riding hogs believable.
TQ: Please tell us about the cover for The Grey Bastards.
Jonathan: The cover was designed by artist and photographer Larry Rostant, along with Little, Brown Book Group creative director Duncan Spilling. It depicts the POV protagonist, Jackal; a young, cunning half-orc rider and member of the Grey Bastards.
TQ: In The Grey Bastards who was the easiest character to write and why? The hardest and why?
Jonathan: Oats was probably the easiest. Mostly because he never gave me any problems. I always knew what he was going to say and how he was going to react. Plus, he’s both overestimated and underestimated at the same time; he’s pretty vulnerable despite his size and strength, and also far from stupid despite initial appearances. My inspiration for him was a mix of Jayne Cobb (from my favorite TV show Firefly) and the late, great MMA fighter Kimbo Slice, so I had a solid foundation to work with when writing him.
The most difficult to write was definitely Starling. I knew having a female character that was seemingly helpless through most of the book would cause trouble for some readers. But I was (and still am) playing a rather long game with her, so I kept the course despite second-guessing it on many, MANY occasions.
TQ: Why have you chosen to include or not chosen to include social issues in The Grey Bastards?
Jonathan: It was never a conscious choice. I didn't have that moment where I thought: "I'm going to address X issue!" However, I don't see how they can be avoided in a believable world. They exist, period. Bigotry, racism, and sexism are certainly a part of real life, and I could not avoid their inclusion in a book about mixed-race characters living in a male-dominated society. As a pantser, the issues came to the page organically, so I was forced to face them down. Or rather, the characters were. I tried to keep my opinions out of it and not preach or come down on any side. The characters are flawed, but they are also products of their experiences and there were opportunities that allowed them to evolve. This shit is complicated and messy in real life, so I hope that's what came to the page.
TQ: Which question about The Grey Bastards do you wish someone would ask? Ask it and answer it!
Jonathan: The question would be: Do you ever dream about The Grey Bastards being adapted into a tabletop wargame? And the answer is: Yes! Everyone raves about A Song of Ice & Fire getting an HBO show, but I think GRR Martin's real victory was getting a miniatures wargame. I daydream all the time about a gorgeous line of models: half-orc hog-riders, centaur marauders, orc raiders, noble and low-born cavaleros, Unyar scouts. I write up army lists for each of the hoofs and mull over a rules set for a game focused on mounted combat.
TQ: Give us one or two of your favorite non-spoilery quotes from The Grey Bastards.
Jonathan: Oh, these are always tricky because my memory is awful! Here goes:
1) Jackal likened religion to madness. He had heard that in the north, in the great cities of Hispartha, there were more temples than well-fed children, that a hundred faceless gods received the wealth of the nobles and the fearful pleas of the peasants. He found that difficult to imagine, but Delia, Ignacio, and others had assured him it was true. Thankfully, such belief was all but unknown in Ul-wundulas. Perhaps the badlands were gods-forsaken, but Jackal preferred to think that the Lots were home to those who had no need of invisible old men, dog-headed demons, and sour-faced crones. Here, faith was better placed in a strong mount, a loaded stockbow, and a few solid companions.
and
2) Roundth was standing in his stirrups, balanced perfectly, and windmilling his exposed cock around in one hand as he passed. The damn thing was as thick as a floppy tankard.
TQ: What's next?
Jonathan: The sequel is next! More Bastards are coming in March 2019. Sex! Violence! Vulgarity! Half-orc! Hogs! For those that wish to return to The Lots, it'll be a fun ride!
TQ: Thank you for joining us at The Qwillery.
Jonathan: Are you kidding? It was my pleasure. Thank you for having me!
The Grey Bastards
The Lot Lands 1
Crown, June 19, 2018
Hardcover and eBook, 432 pages
The Lot Lands 1
Crown, June 19, 2018
Hardcover and eBook, 432 pages
“A dirty, blood-soaked gem of a novel [that reads] like Mad Max set in Tolkien’s Middle Earth. A fantasy masterwork.”—Kirkus Reviews (starred)
–
Live in the saddle.
Die on the hog.
Call them outcasts, call them savages—they’ve been called worse, by their own mothers—but Jackal is proud to be a Grey Bastard.
He and his fellow half-orcs patrol the barren wastes of the Lot Lands, spilling their own damned blood to keep civilized folk safe. A rabble of hard-talking, hog-riding, whore-mongering brawlers they may be, but the Bastards are Jackal’s sworn brothers, fighting at his side in a land where there’s no room for softness.
And once Jackal’s in charge—as soon as he can unseat the Bastards’ tyrannical, seemingly unkillable founder—there’s a few things they’ll do different. Better.
Or at least, that’s the plan. Until the fallout from a deadly showdown makes Jackal start investigating the Lot Lands for himself. Soon, he’s wondering if his feelings have blinded him to ugly truths about this world, and the Bastards’ place in it.
In a quest for answers that takes him from decaying dungeons to the frontlines of an ancient feud, Jackal finds himself battling invading orcs, rampaging centaurs, and grubby human conspiracies alike—along with a host of dark magics so terrifying they’d give even the heartiest Bastard pause.
Finally, Jackal must ride to confront a threat that’s lain in wait for generations, even as he wonders whether the Bastards can—or should–survive.
Delivered with a generous wink to Sons of Anarchy, featuring sneaky-smart worldbuilding and gobs of fearsomely foul-mouthed charm, The Grey Bastards is a grimy, pulpy, masterpiece—and a raunchy, swaggering, cunningly clever adventure that’s like nothing you’ve read before.
About Jonathan
JONATHAN FRENCH lives in Atlanta with his wife and son. He is a devoted reader of comic books, an expert thrower of oddly shaped dice, and a serial con attendee.
Website ~ Twitter @JFrenchAuthor ~ Facebook
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| Photo by Casey Gardner |
Website ~ Twitter @JFrenchAuthor ~ Facebook
Melanie's Thoughts (during the 2016 Self-Published Fantasy Blog-Off)
If you take the orcs, the elves and the dwarves from Middle Earth, mix in some rampaging centaurs with a big helping of not very nice humans, quite a bit of swearing and a multi-layered plot then you have The Grey Bastards. Set in the bleak landscape of ‘the Lotlands’ The Grey Bastards, an elite group of half orc militia. protect their community from almost everyone else. The hero of this tale is not a tall dark and handsome knight on a white charger but rather, a greyish green half orc named Jackal who thunders onto the battle field on enormous multi-tusked hog. That doesn’t make him any less heroic. When Jackal discovers that elvin women are being held captive by a sludge monster, that the leader of Bastards might be involved and there are more and more incursions of full blooded orcs killing his friends and community then Jackal decides to take a stand….and one he might not survive.
I tentatively started The Grey Bastards as I wasn’t completely sure I would like it. I am not normally a fan of this type of fantasy so when I found myself staring at the cover I decided to give it a go. I loved it. This isn’t a book if you are sensitive to blood, guts and swearing so be warned but the plot is soo engaging. Despite Jackal’s penchant for prostitutes, overuse of certain misogynistic words used by some presidents and the fact he had tusks, he was very much the traditional hero – tall, handsome, fights the good fight and protects the innocent.
French has crafted an ambitious but intricate plot. I never knew what was going to happen next or whether Jackal would live to tell the tale. This is a sign of a good book in my view. I could very easily recommend this as one of the best books of SPFBO 2016 and potentially one of my favourite books of this year.
If you take the orcs, the elves and the dwarves from Middle Earth, mix in some rampaging centaurs with a big helping of not very nice humans, quite a bit of swearing and a multi-layered plot then you have The Grey Bastards. Set in the bleak landscape of ‘the Lotlands’ The Grey Bastards, an elite group of half orc militia. protect their community from almost everyone else. The hero of this tale is not a tall dark and handsome knight on a white charger but rather, a greyish green half orc named Jackal who thunders onto the battle field on enormous multi-tusked hog. That doesn’t make him any less heroic. When Jackal discovers that elvin women are being held captive by a sludge monster, that the leader of Bastards might be involved and there are more and more incursions of full blooded orcs killing his friends and community then Jackal decides to take a stand….and one he might not survive.
I tentatively started The Grey Bastards as I wasn’t completely sure I would like it. I am not normally a fan of this type of fantasy so when I found myself staring at the cover I decided to give it a go. I loved it. This isn’t a book if you are sensitive to blood, guts and swearing so be warned but the plot is soo engaging. Despite Jackal’s penchant for prostitutes, overuse of certain misogynistic words used by some presidents and the fact he had tusks, he was very much the traditional hero – tall, handsome, fights the good fight and protects the innocent.
French has crafted an ambitious but intricate plot. I never knew what was going to happen next or whether Jackal would live to tell the tale. This is a sign of a good book in my view. I could very easily recommend this as one of the best books of SPFBO 2016 and potentially one of my favourite books of this year.
Doreen's Thoughts (now)
When I first started reading The Grey Bastards, I knew it was an homage to the television show, “Sons of Anarchy,” but when discovering the names of the main characters, Jackal (Jax), Oats (Opie), and the Claymaster (Clay), I thought they were a little too close to the real thing. Then I discovered that these half-orcs rode hogs – real, animal hogs – and I almost gave up reading what I thought might be a spoof. I kept reading, and despite my misgivings, I started to get caught up in the story.
There is some tremendous world-building here. I loved the description of the kiln, their hideout, where the walls can be heated to kill any intruders. Then there was the Hogback, which is a ramp that can be raised and lowered to let the hogs and their riders out over the walls. There are the sludges, gelatinous creatures that can envelop and suck the life out of a creature, and the Rohks, flying predators who could carry a whole hog. The magic is different, created out of smoke and sparks.
Given the nature of the show, I expected the sex and violence to be more graphic than it is; however, many of the other descriptions are just as graphic and gross as can be.
Just as in “Sons of Anarchy,” this hoof (club) is being run by a corrupt tyrant whose time has come. Jackal has discovered that the Claymaster is making deals and paying for them using elves, a violation of the treaty they have which could lead to war. As he comes closer to taking over leadership of the Bastards, he discovers that perhaps they are not the fierce proctors of the Lot lands that they think they are; perhaps they are simply the dregs of humanity left to survive on scraps. Along with his backups, Fetching and Oats, and the wizard, Crafty, Jackal will find out about the Bastards and their place in the Lot Lands, even if it kills them all.
When I first started reading The Grey Bastards, I knew it was an homage to the television show, “Sons of Anarchy,” but when discovering the names of the main characters, Jackal (Jax), Oats (Opie), and the Claymaster (Clay), I thought they were a little too close to the real thing. Then I discovered that these half-orcs rode hogs – real, animal hogs – and I almost gave up reading what I thought might be a spoof. I kept reading, and despite my misgivings, I started to get caught up in the story.
There is some tremendous world-building here. I loved the description of the kiln, their hideout, where the walls can be heated to kill any intruders. Then there was the Hogback, which is a ramp that can be raised and lowered to let the hogs and their riders out over the walls. There are the sludges, gelatinous creatures that can envelop and suck the life out of a creature, and the Rohks, flying predators who could carry a whole hog. The magic is different, created out of smoke and sparks.
Given the nature of the show, I expected the sex and violence to be more graphic than it is; however, many of the other descriptions are just as graphic and gross as can be.
Just as in “Sons of Anarchy,” this hoof (club) is being run by a corrupt tyrant whose time has come. Jackal has discovered that the Claymaster is making deals and paying for them using elves, a violation of the treaty they have which could lead to war. As he comes closer to taking over leadership of the Bastards, he discovers that perhaps they are not the fierce proctors of the Lot lands that they think they are; perhaps they are simply the dregs of humanity left to survive on scraps. Along with his backups, Fetching and Oats, and the wizard, Crafty, Jackal will find out about the Bastards and their place in the Lot Lands, even if it kills them all.
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