Please welcome Jon Land to The Qwillery! Black Scorpion: The Tyrant Reborn, the 2nd Michael Tiranno novel, was published on April 7th by Forge.
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| Photo of Jon Land © Rayzor Bachand |
Can you tell us a bit about Black Scorpion: The Tyrant Reborn?
Jon: I think it’s the most ambitious book I’ve ever done in terms of character, emotion and story. I say that not only because of its epic-like structure, but mostly because I’ve never written a book before that challenges its characters in so many ways. It challenges them with truth and the reality of their own natures contrasted against their fates, testing especially Michael Tiranno’s capacity to exceed his own limitations. He has become a classical, almost mythic hero in terms of the losses he suffers and stunning revelations about his own fate he must accept. All the while confronting a villain just as powerful as he is with whom he unknowingly shares an indelible bond. Great villains, they say, make great heroes and that’s truly the case here as Michael confronts an all-powerful criminal organization with a plot to do incredible harm to the country and world in the offing. To stop them, Michael must become a different man than he is when the book starts out, he must evolve, literally, into something more and accepting that fate comes to define both him as a hero and the story as a whole.
What drew you to write thriller and mystery novels?
Jon: Well, as the great Robert Louis Stevenson once said, You can only write what you would read if someone else had written it. So when I chose to be a writer, or should I say when writing chose me, I gravitated to what came most naturally to me. I’d grown up reading all of Ian Fleming’s James Bond novels while away at camp for the summer, this after falling in love with the early films starring Sean Connery as Bond. The structure of those films has been more influential in my writing than any other individual factor. As I got older while in college, I began devouring the books of Stephen King, Robert Ludum, Clive Cussler and David Morrell—all great storytellers above everything else, and I realized that’s what I wanted to be too.
When did you first start writing?
Jon: This is kind of interesting, because not until college at Brown University. And even then I never took a writing class. I majored in English and American Literature and fell under the influence of some incredible professors who introduced me to the novel, the whole concept of structure. Around the same time, I realized how much I actually loved the process of writing. I did a term paper on Huck Finn that the professor liked so much he recommended I try publishing it. A light bulb went off in my head and from that day I’ve been obsessed with seeing my name in print, especially in big bold letters on my book covers! I actually wrote my first novel as a senior thesis. It wasn’t very good, but I proved to myself I could do it and was able to work out all he kinks while receiving course credit for it. The best of both worlds, you might say and I remain eternally indebted to Brown for providing the liberal educational experience that allowed to be what I’ve become. It was always about the process and I fell in love with starting with the a blank page of paper and watching what happens from there.
What are your other interests besides writing?
Jon: I’m a gym rat, especially when it comes to weightlifting. Healthy mind, healthy body as the saying goes. I also remain very active at Brown volunteering in any number of capacities that allow me to remain close to the undergraduate community. I’m Alumni President of my own fraternity, Delta Phi, and serve as Alumni Advisor to Brown’s entire Greek System. I’m also Vice President of the Brown Football Association and sit on the board of the Friends of the Library. Libraries are another passion of mine, as they should be for all writers. Libraries are ambassadors of the written word and its sustenance and at Brown I organize big events around name authors like George R.R. Martin to share my love for books and the place of books within pop culture as a whole. I also serve on the board of the International Thriller Writers organization, ITW, because another passion of mine is helping to promote our genre in general and ITW member authors in particular. ITW’s mission statement is all about the haves helping the not-yet-haves in a very difficult profession and I remain very passionate about that as well.
When do you find the time to write?
Jon: Well, it’s my job. When does a doctor find the time, a lawyer or a teacher? Just because I love what I do doesn’t make it any less of a job, any less of a profession. I can’t see my name in those big bold letters if I don’t write the book. I’m very disciplined about my work but, fortunately, I also write very fast to the point where I can finish a first draft in 7-8 weeks. Of course, great books are made in the rewrite process and that’s where I truly excel. To me the first draft is about getting it down and the rest of the process is about getting it right. And that’s the thing about a career as a writer. It’s not just the writing, but also the promoting, the conferences, the book festivals, the signings, Twitter, interviews, Q & As. But here’s the thing about me: I enjoy all of that, every part of it, especially any opportunity I have to interact directly with my readers.
Where is your favorite place to write?
Jon: The second bedroom in my townhouse is my office and it’s pretty much where I do all my writing. The key in this business, any business to some extent, is to find your comfort zone—where, how and when you best excel. I know where all the bodies are buried in my office and it’s very easy for me to bounce around between different things demanding my attention because I’ve laid all the clutter out in a way that facilitates that. I’ve got everything placed just where I want it and where it needs to be. If only life could be that simple!
You have written a number of series; is this one of your favorite to write?
Jon: Frankly, no, that would be my Caitlin Strong Texas Ranger series. I’m not saying the books in that series are better than Black Scorpion because I think in many ways Black Scorpion is the most ambitious and best realized book in terms of vision I’ve ever written. I’m talking about the process. Black Scorpion is work for hire and I have an obligation to serve the needs of the Tyrant character’s creator, Fabrizio Boccardi. That robs this series, and me, of the spontaneity that defines me as a writer, since I don’t outline. Writing with someone looking over your shoulder isn’t nearly as fun or gratifying. But, that said, the end result of both this book and its prequel, The Seven Sins, proves I’m capable of adapting. Fabrizio isn’t a writer or a storyteller and he doesn’t grasp all the intricacies of structure. But he has wonderful instincts that are right more often than not and form the perfect complement to my experience and talents. Look, Michael Tiranno is his baby. He turned him over to me to build but he could never be expected to let him go altogether. Ultimately, I think we work so well together because our passion is balanced by our willingness to compromise toward telling the best story we possibly can. It may drive me crazy at times, but the ends justify the means.
How do you approach writing a book like Black Scorpion?
Jon: It all starts with the hero, Michael Tiranno. I started Black Scorpion with the premise that in the five years since the events depicted in The Seven Sins, Michael hasn’t changed very much. He’s still pretty much the same man we left at the end of the first book, a tyrant consumed by his desire to expand his empire and holdings. The whole essence of Black Scorpion is watching him evolve into something entirely different—still a tyrant, yes, but a tyrant for good. A superhero without a mask or cape. We watch his view of his entire place in the world change, forced upon him by the shattering truths and tragedy he encounters along the way. And in that respect his quest changes from the pursuit of riches and power to self-fulfillment and self-actualization. So now, above everything else, Michael Tiranno’s character is defined by his obsession for standing up for those who can’ t stand up for themselves. Bullies aren’t confined to the schoolyard and he won’t tolerate them under any circumstances. He’s spent his life trying to find the security he lost that day his parents were murdered and once there he uses the power that comes with it to defend those who need him the most. My point is your hero defines the very nature of a book with the sprawl and ambition of Black Scorpion. The book will rise or fall based on how the audience responds to him and you have to approach a book like this with that in mind.
Is there anything you would like to say to your readers and fans?
Jon: Thank you, because without you I’m nothing. I can only be a writer if you’re reading what I’ve written. And I remain extremely humbled by the whole nature of the relationship between the writer. It’s a sacred pact, not much different than reading or telling a child a bedtime story. It comes with an intimacy that defies explanation. That a reader is wiling to bring me, through my work, into their lives by letting me entertain them, sweep them away from the mundane world into one of my own creation, brings with it an awesome responsibility and the very worst thing I can do as a writer is disappoint my audience—the moral equivalency of breaking that sacred pact.
Tell us where we can find your book and more information about you.
Jon: To use the cliché, accurate in this case, wherever books are sold or is most convenient for you. As for me, you can find me on the Web at jonlandbooks.com or follow me on Twitter @JonDLand. I promise to keep you entertained there too!
Jon: I think it’s the most ambitious book I’ve ever done in terms of character, emotion and story. I say that not only because of its epic-like structure, but mostly because I’ve never written a book before that challenges its characters in so many ways. It challenges them with truth and the reality of their own natures contrasted against their fates, testing especially Michael Tiranno’s capacity to exceed his own limitations. He has become a classical, almost mythic hero in terms of the losses he suffers and stunning revelations about his own fate he must accept. All the while confronting a villain just as powerful as he is with whom he unknowingly shares an indelible bond. Great villains, they say, make great heroes and that’s truly the case here as Michael confronts an all-powerful criminal organization with a plot to do incredible harm to the country and world in the offing. To stop them, Michael must become a different man than he is when the book starts out, he must evolve, literally, into something more and accepting that fate comes to define both him as a hero and the story as a whole.
What drew you to write thriller and mystery novels?
Jon: Well, as the great Robert Louis Stevenson once said, You can only write what you would read if someone else had written it. So when I chose to be a writer, or should I say when writing chose me, I gravitated to what came most naturally to me. I’d grown up reading all of Ian Fleming’s James Bond novels while away at camp for the summer, this after falling in love with the early films starring Sean Connery as Bond. The structure of those films has been more influential in my writing than any other individual factor. As I got older while in college, I began devouring the books of Stephen King, Robert Ludum, Clive Cussler and David Morrell—all great storytellers above everything else, and I realized that’s what I wanted to be too.
When did you first start writing?
Jon: This is kind of interesting, because not until college at Brown University. And even then I never took a writing class. I majored in English and American Literature and fell under the influence of some incredible professors who introduced me to the novel, the whole concept of structure. Around the same time, I realized how much I actually loved the process of writing. I did a term paper on Huck Finn that the professor liked so much he recommended I try publishing it. A light bulb went off in my head and from that day I’ve been obsessed with seeing my name in print, especially in big bold letters on my book covers! I actually wrote my first novel as a senior thesis. It wasn’t very good, but I proved to myself I could do it and was able to work out all he kinks while receiving course credit for it. The best of both worlds, you might say and I remain eternally indebted to Brown for providing the liberal educational experience that allowed to be what I’ve become. It was always about the process and I fell in love with starting with the a blank page of paper and watching what happens from there.
What are your other interests besides writing?
Jon: I’m a gym rat, especially when it comes to weightlifting. Healthy mind, healthy body as the saying goes. I also remain very active at Brown volunteering in any number of capacities that allow me to remain close to the undergraduate community. I’m Alumni President of my own fraternity, Delta Phi, and serve as Alumni Advisor to Brown’s entire Greek System. I’m also Vice President of the Brown Football Association and sit on the board of the Friends of the Library. Libraries are another passion of mine, as they should be for all writers. Libraries are ambassadors of the written word and its sustenance and at Brown I organize big events around name authors like George R.R. Martin to share my love for books and the place of books within pop culture as a whole. I also serve on the board of the International Thriller Writers organization, ITW, because another passion of mine is helping to promote our genre in general and ITW member authors in particular. ITW’s mission statement is all about the haves helping the not-yet-haves in a very difficult profession and I remain very passionate about that as well.
When do you find the time to write?
Jon: Well, it’s my job. When does a doctor find the time, a lawyer or a teacher? Just because I love what I do doesn’t make it any less of a job, any less of a profession. I can’t see my name in those big bold letters if I don’t write the book. I’m very disciplined about my work but, fortunately, I also write very fast to the point where I can finish a first draft in 7-8 weeks. Of course, great books are made in the rewrite process and that’s where I truly excel. To me the first draft is about getting it down and the rest of the process is about getting it right. And that’s the thing about a career as a writer. It’s not just the writing, but also the promoting, the conferences, the book festivals, the signings, Twitter, interviews, Q & As. But here’s the thing about me: I enjoy all of that, every part of it, especially any opportunity I have to interact directly with my readers.
Where is your favorite place to write?
Jon: The second bedroom in my townhouse is my office and it’s pretty much where I do all my writing. The key in this business, any business to some extent, is to find your comfort zone—where, how and when you best excel. I know where all the bodies are buried in my office and it’s very easy for me to bounce around between different things demanding my attention because I’ve laid all the clutter out in a way that facilitates that. I’ve got everything placed just where I want it and where it needs to be. If only life could be that simple!
You have written a number of series; is this one of your favorite to write?
Jon: Frankly, no, that would be my Caitlin Strong Texas Ranger series. I’m not saying the books in that series are better than Black Scorpion because I think in many ways Black Scorpion is the most ambitious and best realized book in terms of vision I’ve ever written. I’m talking about the process. Black Scorpion is work for hire and I have an obligation to serve the needs of the Tyrant character’s creator, Fabrizio Boccardi. That robs this series, and me, of the spontaneity that defines me as a writer, since I don’t outline. Writing with someone looking over your shoulder isn’t nearly as fun or gratifying. But, that said, the end result of both this book and its prequel, The Seven Sins, proves I’m capable of adapting. Fabrizio isn’t a writer or a storyteller and he doesn’t grasp all the intricacies of structure. But he has wonderful instincts that are right more often than not and form the perfect complement to my experience and talents. Look, Michael Tiranno is his baby. He turned him over to me to build but he could never be expected to let him go altogether. Ultimately, I think we work so well together because our passion is balanced by our willingness to compromise toward telling the best story we possibly can. It may drive me crazy at times, but the ends justify the means.
How do you approach writing a book like Black Scorpion?
Jon: It all starts with the hero, Michael Tiranno. I started Black Scorpion with the premise that in the five years since the events depicted in The Seven Sins, Michael hasn’t changed very much. He’s still pretty much the same man we left at the end of the first book, a tyrant consumed by his desire to expand his empire and holdings. The whole essence of Black Scorpion is watching him evolve into something entirely different—still a tyrant, yes, but a tyrant for good. A superhero without a mask or cape. We watch his view of his entire place in the world change, forced upon him by the shattering truths and tragedy he encounters along the way. And in that respect his quest changes from the pursuit of riches and power to self-fulfillment and self-actualization. So now, above everything else, Michael Tiranno’s character is defined by his obsession for standing up for those who can’ t stand up for themselves. Bullies aren’t confined to the schoolyard and he won’t tolerate them under any circumstances. He’s spent his life trying to find the security he lost that day his parents were murdered and once there he uses the power that comes with it to defend those who need him the most. My point is your hero defines the very nature of a book with the sprawl and ambition of Black Scorpion. The book will rise or fall based on how the audience responds to him and you have to approach a book like this with that in mind.
Is there anything you would like to say to your readers and fans?
Jon: Thank you, because without you I’m nothing. I can only be a writer if you’re reading what I’ve written. And I remain extremely humbled by the whole nature of the relationship between the writer. It’s a sacred pact, not much different than reading or telling a child a bedtime story. It comes with an intimacy that defies explanation. That a reader is wiling to bring me, through my work, into their lives by letting me entertain them, sweep them away from the mundane world into one of my own creation, brings with it an awesome responsibility and the very worst thing I can do as a writer is disappoint my audience—the moral equivalency of breaking that sacred pact.
Tell us where we can find your book and more information about you.
Jon: To use the cliché, accurate in this case, wherever books are sold or is most convenient for you. As for me, you can find me on the Web at jonlandbooks.com or follow me on Twitter @JonDLand. I promise to keep you entertained there too!
Black Scorpion: The Tyrant Reborn
Michael Tiranno The Tyrant 2
Forge Books, April 7, 2015
Hardcover and eBook, 448 pages
Michael Tiranno The Tyrant 2
Forge Books, April 7, 2015
Hardcover and eBook, 448 pages
The next adventure of The Seven Sins' Michael "The Tyrant" Tiranno, Jon Land's Black Scorpion is a pulse pounding action-thriller as he takes on a worldwide human trafficking cabal.
Five years have passed since Michael Tiranno saved the city of Las Vegas from a terrorist attack. And now a new enemy has surfaced in Eastern Europe in the form of an all-powerful organization called Black Scorpion. Once a victim of human trafficking himself, the shadowy group's crazed leader, Vladimir Dracu, has become the mastermind behind the scourge's infestation on a global scale. And now he's set his sights on Michael Tiranno for reasons birthed in a painful secret past that have scarred both men.
Already facing a myriad of problems, Michael once more must rise to the challenge of confronting an all-powerful enemy who is exploiting and ravaging innocents all across the globe and has set nothing less than all of America as its new victim. Black Scorpion has also taken the woman Michael loves hostage: Scarlett Swan, a beautiful archaeologist who was following the dangerous trail of the origins of the ancient relic that both defines and empowers Michael, a discovery that could change history and the perception of mankind's very origins.
With the deck and the odds stacked against him, Michael must come to learn and embrace his true destiny in becoming the Tyrant reborn as a dark knight to triumph over ultimate evil and stop the sting of Black Scorpion from undermining all of the United States and plunging Las Vegas into chaos and anarchy.
A major production for a feature film is in active development in Hollywood based on the franchised character of Michael Tiranno, the Tyrant. The film will be based on the blended adaptation of Black Scorpion and its predecessor, The Seven Sins, which both have also been licensed to DC Comics for comic books and graphic novels publications worldwide.
Previously
The Seven Sins: The Tyrant Ascending
Michael Tiranno The Tyrant 1
Forge Books, June 2, 2009
eBook, 384 pages
Michael Tiranno The Tyrant 1
Forge Books, June 2, 2009
eBook, 384 pages
To Dream...To Dare..To Win...
The ancient motto, inscribed in Latin on a mysterious golden medallion, recovered from the ruins of the Roman Empire, has guided Michael Tiranno to heights few men have achieved. Once an orphaned farm boy in his native Sicily, Michael made millions by mastering the intricate world of high finance, and is now the fabulously wealthy owner of Las Vegas' The Seven Sins, the grandest and most extravagant casino in the world. The lavish resort embodies the personal philosophy fueled by his lust for power: the greater the risk, the greater the reward.
But he also has secrets, secrets that he and Naomi Burns, his driven corporate attorney and confidante, have gone to great lengths to bury. When an enemy from the past threatens to undermine everything he has built, his dark history must now be uncovered. Together, they must tear open painful scars in Michael’s heart and soul to discover the true identity of their unknown foe—before all of Las Vegas pays the price for Michael Tiranno’s realized dreams.
The Seven Sins is a globe-spanning saga of one man's spectacular rise from rags to riches, the sins that brought him there, and the insidious vendetta that may cost him everything.
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